Do Yourself A SIMPLE FAVOR and Go See This Movie

c7055a014a1b9d5cdc024b27d0a7ee97Hello, Mothers, and other fans! Thanks for tuning in. I’m sure everyone is way over the Gone Girlphenomenon* that pivoted into the Girl on the Trainphenomenon** that made everyone resent anything with “Girl” in the title*** (not to be confused with the soon-to-be-rebooted Girl with the Dragon Tattooseries, which is partially responsible for all this mess). So, if you saw a trailer forA Simple Favor, you surely had flashbacks to that brand of twisty, female-driven psychological thrillers and rolled your eyes. You probably extra rolled your eyes at seeing America’s a cappella sweetheart Anna Kendrick starring as the protagonist who, in this case, tries to solve the disappearance of her best friend Emily (played by Blake Lively—and I know you rolled your eyes at her unless you’re a huge Gossip Girlfan like I am).

Stephanie (Kendrick) is a dedicated mom with a vlog that she posts on regularly with nifty tips for cooking and crafts. It’s a deeply cheesy premise, which draws eye rolls from the other moms at school (including ever-present Andrew Rannells). But Stephanie’s life changes when her son wants to hang out with his friend Nicky after school. Nicky’s mother Emily emerges onscreen in a slow-mo walk through the rain dressed in a chic suit ensemble with heels. She only lets the boys come over if Stephanie agrees to a martini. And it’s all downhill from there.

The seeming friendship that buds between Emily and Stephanie is akin to Serena van der Woodsen hazing some nobody from Yonkers. But at least Emily’s “European” style martinis look like perfection. Frozen gin in a frozen martini glass with a vermouth rinse. Garnished with a nice lemon peel chunk cut deftly by Emily with a meat knife while she slowly seduces Stephanie into confessing her darkest secrets.

 

02-a-simple-favor.w1200.h630We soon meet Emily’s smoldering, failed-writer husband Sean (Henry Golding—you know, from Crazy Rich Asians). He and Stephanie share some intellectual conversation before he goes back to kissing his wife, while Stephanie looks on jealously. “Friendship” established, Emily calls Stephanie requesting “a simple favor” to pick up her son from school. And then no one hears from her for five days.

Stephanie goes on a comical yet endearing investigation into Emily’s disappearance. Veronica Marsshe is not, but Emily has inadvertently taught her enough to give her a bit of a backbone. And the more clues she uncovers, the more confidence she gains.

The film relies on you expecting those Gone Girl-like twists. But it plays them up for humor or as motivation for Stephanie’s growth. And then, in the last 30 minutes they continue to defy expectations with twist on twist on twist (some are obvious, others less so) until it reaches it’s spellbinding finale.

The soundtrack, too, really adds to the energy of the film. The French bops that continue to pop up whether in homage to Emily or to Stephanie’s growth into a stronger, smarter character will have you dancing in your seat.


The film’s ability to make the macabre humorous without being overdone is enjoyable. You’ll laugh at unexpected moments and still feel the thrill of tension when it’s also called for. This might be director Paul Feig’s most subtle comedy. Considering how much I dislike his previous films, I’m amazed how engaged I was. And considering how little regard I have for Anna Kendrick and her frequently bland acting (Up in the Airbeing somehow the antithesis to her career to date), I left the film appreciating the subtlety she brought to the film. Blake Lively, however, never failed to entertain me. But then, she got the role that lets her chew up the scenery while mixing cocktails and looking fabulous.
I understand anyone’s reservations against the film—especially going into Oscar season. But A Simple Favoris a thrillingly good time, and a great escape from the drudgery of everyday life.

90

 

*Even though both the book and the film are impeccable.

**A deeply lackluster brand (sorry, Emily Blunt).

***I see you, Ruth Ware, trying to upgrade the branding with The Woman in Cabin 10.

 

Bonus Pairing: I’ll obviously be drinking Aviation Gin Martinis for the rest of the weekend.

CARTWHEEL Is a Mental Gymnastic Story of Misperceptions and Half-Truths

In 2007, Amanda Knox was charged with murder for the death of her roommate in Italy. What ensued was a complex case with many unknown variables that still resulted in a conviction of her and others involved in the incident. Author Jennifer duBois uses this intriguing and tragic real life story as the basis for her latest novel, Cartwheel. She changes the setting and the names, but the heart of the true events remain as she explores how this terrible crime could have happened.
Cover-of-CartwheelLily Hayes has come to Buenos Aires to study Spanish. Once there, she gets caught up in a love triangle of sorts with her roommate Katy Kellers and their reclusive neighbor Sebastian LeCompte. So, when Katy is found dead, by Lily, the police are quick to accuse Lily. What follows is a tale of obscured truths and misconceived notions that culminate in destructive fashion. From the baffling cartwheel that Lily performs in her initial interrogation to the influence of the prosecutor’s wife on his investigation you’ll be squirming in your seat seeing how the characters squander their own reputations in their attempts to save them.
While duBois uses the framework of the Knox case to inform her story, she takes us deep into the characters minds to see how the case became so controversial. We see through the main characters’ eyes how their perceptions of each other and the lies they tell, often innocently, come back to hurt them. She paints a fully-realized portrait of the events surrounding the murder, but duBois never shows us what really happened the night of the murder, leaving us to guess what really happened.
It may be disheartening to know that the truth is not revealed, but the purpose of Cartwheel is to decide the truth for yourself (just as the characters so recklessly do). Consider yourself the judge as Lily Hayes is put on trial. We’re certainly given enough information to decide for ourselves (and enough information to mourn what happened to Amanda Knox). The insights into the characters are layered and nuanced, making Sebastian into a likable, yet smarmy, love interest and the prosecutor Eduardo Campos into a despicable manipulator (but that’s just my interpretation of the characters—what’s yours?).
Jennifer duBois uses a rich language to tell this story, making it all that more vivid. But duBois does not want you to think that she presumes to have the answers to the real Knox case. Knox may have allegedly done a cartwheel (a fact which has since been confirmed false); but Lily really did. And, as duBois puts it, “In the real universe is a girl who never did a cartwheel. This novel is the story of a girl who did.”

You’ll Be “Reconstructing Amelia” Into the Wee Hours of the Night

15776309Attention Upper East Siders, Gossip Girl here…or rather, gRaCeFULLY here, your guide to the scandalous lives of Grace Hall prep school’s elite. So goes Kimberly McCreight’s addicting debut novel being rightfully hailed as this year’s Gone Girl. When Amelia jumps off her school’s roof after being charged with plagiarizing her Virginia Woolf paper, her lawyer mother Kate takes it upon herself to investigate her daughter’s death—since Amelia had zero suicidal tendencies and a passion for Woolf. Plus, Kate gets an anonymous text saying, “Amelia didn’t jump.”

The chapters jump between Kate in the present, uncovering her daughters’ secrets and Amelia’s past leading up to her death. Interspersed are text conversations, gRaCeFULLY posts, email exchanges that further illuminate the secrets these women are hiding. It’s an immersive structure that is imminently readable while also providing compelling commentary on the social media conversational gap between parents and children. There are also a lot of relevant plot points involving school bullying, Internet friendships, and adults’ responsibilities towards teenagers.

McCreight weaves in plot twists left and right that are both unpredictable and satisfying. Though not as dark and psychologically disturbing as Gone Girl, Reconstructing Amelia is a great, swift read that’ll keep you up until the wee hours, trying to uncover all the secrets. This is one novel that should be at the top of your summer reading pile (right after this and this, of course).