“City of Lost Souls” Fulfills Its Middle Book Requirements

The latest installment in Cassandra Clare’s The Mortal Instruments series picks up right where the last one left off. Jace and Sebastian are missing, and the entire Shadowhunting community is looking for them. But, when Clary learns that her boyfriend and her evil brother are fatally linked (whatever harm one comes to, the other comes to as well), she and her friends must find Jace and a way to severe the bond before the Clave kills them both.

City of Lost Souls begins to feel like season four of a TV series: the original plotlines have played out, there are numerous new characters, and certain storylines are beginning to feel redundant (another book in which Clary and Jace can’t be together? Really?). And from Clare’s writing structure, you would think she was writing a TV series. She jumps from story to story after a brief scene with each character, slowly advancing the plot. All the jumping causes the reader to feel discombobulated; you barely have time to realize which story you’re reading before she jumps back to someone else. It’s a distracting contrivance that she fortunately tones down in the final third of the book (although the contrivance is used successfully in the climactic battle scene).

Structural issues aside, Lost Souls fulfills the needs required of all middle books in a trilogy: it sets up the story for the final installment. We learn what Sebastian’s evil plan is, a vampiric threat looms in the background, and the characters are reaching important moments in their own lives. Soon they’ll have to make serious decisions that will impact their futures. The novel is also full of Easter eggs for Clare’s prequel series The Infernal Devices, which has some of the same characters (since they’re immortal).

City of Lost Souls may not be the best book in the series, but it will definitely leave you yearning for the final chapter in this series (which is due out next spring). And that’s really all we can ask of it.

 

Immortal City

Immortal City is the latest book to capitalize on the supernatural teen book series craze. This one is blessedly free of vampires and werewolves and chooses instead to focus on Angels. With the exception of Cassandra Clare’s The Mortal Instruments series, Angels are decidedly lacking representation in the pop culture pulse, giving author Scott Speer plenty of freedom to create his own unique world.

In that respect, he succeeds. Angels have always been intervening in the human world, but in the last 100 years they have become a part of the public consciousness. Instead of a pop culture obsessed with actors and reality TV stars, they are obsessed with Angels. And none of them are hotter than Jackson “Jacks” Godspeed who is about to be the youngest Angel to earn his Guardian title (Guardian Angels are hired by the wealthy to save them in case of accidents).

Despite living in an Angel-obsessed world, Maddy Montgomery is completely oblivious to them. She lives with her uncle Kevin and works at his diner while finishing out her final year of high school. Her best—and only—friend Gwen tries to socialize her, but Maddy is stubbornly resistant. So, when Jacks ends up at the diner and sparks fly between him and Maddy, she has no idea what she’s about to get into.

Speer’s world is fully realized, and he has plenty of alternate history concerning the legacy of Angels to draw upon in his storytelling. A lot of the fundamentals are compulsively repeated throughout the book, but since he’s setting up a series of books it’s fairly forgivable. Not forgivable, however, is his uninspired love story. Maddy is insufferable—or as Jacks says, “impossible”—in her moral rectitude and low self-esteem. She never feels good enough to be with Jacks, despite how much he is clearly falling for her. Even by the end of the book, I doubt her ability to grow into a strong female character (but maybe with Jacks’ persistent encouragement she might).

Their relationship quickly devolves into that intense, overwrought life-or-death romance that is seen in so many other series (i.e. Twilight’s Bella & Edward, TMI’s Clary & Jace, etc.). It immediately becomes uninteresting and uninspired, making the middle portion of the book completely unbearable. However, it is in the beginning and end of this book where Speer’s skills shine.

As a movie and music video director (his most recent film was Step Up Revolution), Speer has a very cinematic style of storytelling. This novel would make a far better movie—or TV series on The CW. There are unique and exciting twists, turns, setups, and payoffs in the front third and final third of this book that—almost!—make up for the horrific middle third. One spectacular sequence involves Maddy and Gwen driving a Ferrari in a car chase. Gwen is definitely a great and underutilized character.

It’s clear he has talent, but he needs to hone that originality. He has a lot to say about Los Angeles (aka Angel City—the Immortal City), and a clearer focus on his criticisms of the city (along with celebrity culture in general) and his exploration of Angel culture would help this series stand out. The last few twists of the book show he at least has a vision for this series; hopefully he grows as a writer and makes the series great.

 

Watch a nifty trailer for the book at its website: http://immortalcityseries.com/

City of Fallen Angels

The fourth installment in the (now 6 book) Cassandra Clare The Mortal Instruments series focuses mostly on Simon. As a daylighter vampire with the Mark of Cain, Simon has become the most valuable asset for every type of downworlder. The first one to come knocking on his door is the ancient vampire Camille Belcourt (first introduced in Clockwork Angel the first book in Clare’s The Infernal Devices series) whom Raphael has previously mentioned is the true leader of the NYC vampires. She seeks Simon’s help in defeating Raphael and taking back her position which she claims Raphael usurped from her. All of which is a lot for Simon to take in, so he gets five days to make his decision to help her or not.

In those five days, a lot is going on. Jace is haunted by melodramatic dreams of him murdering Clary. Clary is annoyed that Jace is ignoring her. She’s also annoyed that Simon is simultaneously dating Isabelle and Maia and won’t tell either of them about the other. Jocelyn and Luke are preparing for their wedding (insert cliché scene involving trying on dresses). And Alec and Magnus are gallivanting around Europe, not giving a damn about what’s happening back in New York. But the real drama involves the mysterious deaths of Shadowhunters and babies that have begun popping up.

What’s refreshing about Fallen Angels is that, unlike the previous books, this one could really stand alone as it’s own novel (a nice break from the clear trilogy set up in the first three books). What’s even more refreshing is the book’s focus on Simon. He’s gone through a lot of changes in the last three novels, and now we finally see how he’s dealing with it. His stories usually got put on the backburner to focus on Clary’s storylines, but now we get a real sense of him as a character and see some of the personal choices he’ll have to make in the next two books as he finds a place in the world.

However, as my interest in Simon waxes, my interest in Clary and her relationship with Jace wanes. When they shared a forbidden incestuous love in the first three books, I loved every juicy moment between them. But, now that it is no longer forbidden, the obstacles between them feel tedious. They barely had a happy moment together after the Mortal War before more conflict is forced between them. Although Jace’s dreams are connected to the overall story of the book, they still feel entirely contrived. It’s almost as if Clare doesn’t know what to do with them as a couple, so she continues to through obstacles their way instead. And if Jace’s attitude at the end of the book is any indication, I fear their relationship will face equally unnecessary drama in the next book.

Overall, though, I really enjoyed the book and look forward to seeing what happens in the final two installments concerning nearly every character except Clary, Jace, and Maia (her relationship drama in the book felt forced as well). Clare’s world of Shadowhunters and Downworlders continues to intrigue me, so I’m eager to read her Infernal Devices series and I hope that the relationships in that aren’t as melodramatic as the ones she’s developed inMortal Instruments.

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